works in progress

Apr. 28th, 2026 09:45 am
runpunkrun: combat boot, pizza, camo pants = punk  (punk rock girl)
[personal profile] runpunkrun

In recent years, I've been on a mission where I pick a worthy WIP out of many volunteers and finish it. So far I've completed:

That covers my entire output of the last five years, with only one absolutely new fic posted during that time, the 15 sentence fake fake dating Star Trek fic Strange New Worlds, Etc. that I wrote for OTW's 15 year anniversary in 2022.

All of these WIPs were abandoned in various stages of doneness. I do this. Not on purpose, but I start a fic and get thousands of words into it and then either get anxious about it (writing can be a trigger for me, though it's gotten better through careful practice) or life gets in the way and I have to stop working on it and then get scared (anxious) to pick it back up again. But past!me's problems are a boon for present me who doesn't have to come up with ideas and has a bunch of notes for all these stories that can either be used or discarded. And because they've sat for a while, undisturbed, I'm able to work on them almost as if it's someone else's writing that I'm improving. I can kill the darlings that need killing and get on with it.

A Hundred Hundred Bolts of Satin was probably more like two stories when I opened it after a long period away from it. The opening part and the rest of it. I had to stitch the two together, and the opening section was just murdering me before I finally, after a lot of work, figured out which parts were important.

stop. motion. was done and betaed, but Joe Flanigan had gotten a divorce (sorry, Joe) while it was sitting on my hard drive and I wanted to work that in, which changed the tone—and purpose—of the story significantly.

New Year Market was done and had even been through two betas. I had some sentences that were annoying me, so I fixed them, and I am as shocked as you are that it took me less than a month to do that.

Condition Zebra was a complete draft, but I'd finished it in 2013 and never looked at it again. (I wrote it and then Emily died, and these two things were not related, but also were.) It needed a lot of polishing, and I had made Rodney too emotionally mature. So I made Rodney a little messy and John, in a move that surprised me, responded by becoming more emotionally mature. It seemed he'd grown up, too, in the twelve years since I'd written it.

Maybe He's Born With It (Maybe It's GlaxosEpsilonYor) was not as done as I thought it was. Instead of being nearly complete, it was only a couple of paragraphs in the file and then several pages of handwritten story. I transfered the handwritten part to the screen, editing all the while, and then did a bunch of writing to finish it and then lots and lots of revising to get Jim's voice right. This was him after the first movie, still a selfish frat bro, but with the capacity to learn from his mistakes, and I didn't want to quash his worst instincts, but it was hard for me to just let him be the (almost) worst version of himself. I had to keep removing the guardrails I built around him. And his literal voice needed to be way more casual. I got there in the end, though, and in the process learned that this Jim didn't like hedging language, no "just" or "almost" or "kind of"; everything's flat out with him, no room for doubt.

The Feast of St. Olaf (my 60th SGA fanwork!!) was basically a complete story when I opened it up in February. It had all the important parts—a title and a last line; there was just some empty space between a joke (which I did not...get? despite having written it??) and the last sentence. So I erased the joke and just started writing from there. I began this fic for the "blades" square on my [community profile] kink_bingo card in 2011, but as I wrote toward the last sentence I had, using it as a guide, the focus of the story changed. It was no longer just about Ronon being good with knives; it became about loss and memory, a much deeper story. So I reworked the rest of it to match, and in the process the knives were no longer what the Kink Bingo mods refer to as the erotic focus of the story, and I didn't feel like I could add this fic to the Kink Bingo collection. (Sadly, because I adore posting G-rated kinkfic to the chat.)

Many of these WIPs went through similar changes as I finished them. Maybe He's Born With It came from a much lighter idea, less loss, more eye shadow. And stop. motion. lacked an emotional core before I worked Joe's divorce into it. So having these stories sit for a bit between their initial drafting and being completed benefited us both, in many ways. Though I'd honestly prefer if I could finish a story in less than ten years, it also lets me see how much I've grown as a writer, even in the last few years.

Next up is my Star Trek RPF from 2016, an extended version of my little Saturday Morning ficlet. As I recall it's completely finished, though the last scene needs some tweaking as I've never been happy with it. It has a title, but I've never been happy with that, either, and I've got a new one that should work. And of course, anything I haven't seen in ten years is going to need a polish as my writing sensibilities have changed somewhat in those years. I've been putting this one off because it's RPF from 2016, set in 2016, and stuff has changed! And I'm worried about it!! But it's not going to get any younger, and as I keep repeating to myself, it was the canon we had at the time. It's not like I could write it any differently today. Though I guess we'll have a chance to see.

runpunkrun: ronon dex standing hipshot, blaster in hand (avant garde)
[personal profile] runpunkrun
Photograph of a pomegranate (here standing in for an alien fruit) and a paring knife against a black background. Text: The Feast of St. Olaf, by Punk.
Author: Punk
Fandom: Stargate Atlantis
Characters: Team Sheppard
Rating: G
Content notes: No standard notes apply.

Size: 3,800 words

Summary: The hunting knife is twice the size of the fruit in his hand, but Ronon handles it with ease.

Read it on the AO3 or here »

The Feast of St. Olaf )

Search maintenance

Apr. 22nd, 2026 09:19 am
mark: A photo of Mark kneeling on top of the Taal Volcano in the Philippines. It was a long hike. (Default)
[staff profile] mark posting in [site community profile] dw_maintenance

Happy Wednesday!

I'm taking search offline sometime today to upgrade the server to a new instance type. It should be down for a day or so -- sorry for the inconvenience. If you're curious, the existing search machine is over 10 years old and was starting to accumulate a decade of cruft...!

Also, apparently these older machines cost more than twice what the newer ones cost, on top of being slower. Trying to save a bit of maintenance and cost, and hopefully a Wednesday is okay!

Edited: The other cool thing is that this also means that the search index will be effectively realtime afterwards... no more waiting a few minutes for the indexer to catch new content.

glitteryv: (Default)
[personal profile] glitteryv
Here are some thoughts on the album as we've entered BTS in Chapter 2 - Group Era*

[*AFAIK, Chapter 2 was initially used for the interesting combo of enlistment + first solo eras. However, as soon as they were all discharged from the military, BTS themselves began using "Chapter 2" when referring to the here and now. I'm not gonna argue with the Tannies. If that's how they see things, then that's how they see things and it's up to everyone else to clarify if the "Chapter 2" era is the solo or the group one. *Hands*]



The only hint abt what ARIRANG was probably gonna sound like was a good 16-second clip in the animated teaser. So, most ppl (myself included), were preparing for some booty-shaking music. Only to then get v. confused after clips for "SWIM" dropped...

As soon as the first notes began playing, I was ON THE FLOOOOOOOR. This is an album that gives listeners 41 minutes of AMAZING music. It's also meant to be listened to from top to bottom if you want to appreciate it to its fullest extent. This is a v. grown up album and I love that for all of us.

One of the coolest things is the bouquet of genres happening:

* Do you want songs that make you feel like you're getting down at the club with hella loud beats? "BODY TO BODY" and "FYA" are deffo the ones for you.

* Do you like rap and/or hip-hop that goes IN? Then go check out "HOOLIGANS", "Aliens", and "2.0"!

* Is meditating your thing? "No. 29" is THAT BITCH that'll give you all the peace and quiet you need.

* Are you a fan of easy listening pop music that you can chill out OR drive to? "SWIM" is there for you.

* Is your playlist filled with songs that are slightly off-center or alternative rock? "Merry Go Round", "NORMAL", and "Like Animals" will fit the bill.

* Maybe you're in the mood for dance music that makes you feel sexy? "One More Night" will make you shimmy every which way.

* Is your thing music that's r&b but make it weird? "they don't know 'bout us" is the one tune you'll want to check out.

* Are you into YEARNING-centric, r&b songs? "Please" is the song for you.

* Do you like 70s rock/anthem rock? "Into the Sun" gets the spotlight easy.



IMO, this is an album for those ppl that like music in general. The breadth of genres the Tannies have tapped into is something I haven't seen in a loooooooooooooooong time.

ANOTHER THING this album has done v. effectively is being played out and abt in the world. Within the first 3 weeks of ARIRANG, I've heard:

1. "SWIM" at my local CVS* and at a supermarket. [* The CVS part I was expecting as, whoever's in charge of making the playlists for CVS, they keep selecting BTS English song circa "Dynamite". To date, I've heard: "Permission to Dance", "Butter", "Seven", "Like Crazy", "Slow Dance", "Don't Say You Love Me", "Running Wild", "Sweet Dreams", "Mona Lisa", and "Killin' It Girl".]

2. A car was blasting "2.0" down the main street by my apartment building. There's a stoplight and that's how I managed to have enough time to realize that some dude was playing BTS at top volume, LOL

3. I took one of my elderly aunts to go grocery shopping at Walmart. There's a tiny store inside that specific Walmart that repairs cellphones and sells accessories as well. As we were leaving, I heard "One More Night" playing.

Please note that I don't live in a city that's particularly K-Pop friendly? Like, we're lucky if we get one K-Pop concert per year. And still random songs from the album are playing here and there.



So now I'm gonna go into the criticisms and well, why some ppl are WRONG.

FTR, folks ARE allowed to dislike this album and/or BTS' music (solo and group). I understand (to a certain extent) that there will be ppl who don't vibe with the music. And I'm OK with that as long as it has to do with musical preferences. There are certain beats and styles that set my teeth on edge too. Saying "I don' like this cuz it's not for me" IS a valid reason.

HAVING SAID THAT, tho, there have been certain "points" that have come up enough times for me to sit there and 🤔

Complaint no.1: BTS is Too Westernized/has been too Westernized circa the English Trilogy

The "funny" thing abt that is the majority of times I've seen it being brought up, it's been by non-Koreans (meaning non-Native OR diaspora Koreans). And I'll give those folks a hard 😒. Cuz "too Westernized" according to WHOM?

Doubly so because BTS has gone out of the way to reinforce the idea that they're proud of being Korean and their culture (see the album title, the vinyl album covers, the connection they've reinforced between the real story of the (real life) 7 Korean men who sailed to the US in 1896 and recorded "Arirang" at Howard University, and other details (up to and including concert sets, VCRs, and their individual fits.)


Complaint no. 2: OMG, there are too many songwriters. With the majority of them being Western songwriters! WHY couldn't the members just write and/or produce everything?

To which I gotta say, if you look at the credits, out of the 15* songs, RM has 14 credits. The only song he doesn't have one is "No. 29" (which has no lyrics.) 5 of the remaining members have at least 2 songwriting credits in the album. The only one w/o any credits is Jin**.

[**NB: per Jin himself, he'd been in the middle of his solo tour while everyone else was writing songs. And it would've been extremely selfish on his part to ask them to wait ~3 months until he was done to then start the songwriting process. He's a bit bummed out he couldn't be a part of that aspect of the album. HOWEVAH, it's v., v. clear that he was hands-on when he joined the Tannies in California AND afterwards.

(*Re the 15th song: there's a hidden track titled "Come Over" that (as of the time of this post) is only available in the Deluxe version of the vinyls. There doesn't seem to be any current plans to release it on streaming platform (though there are some campaigns asking Yoongi and co to please do so.) It's part of the current leg of the tour setlist.]

Now, as for BTS having too many outside songwriters, one only needs to go back to 2016's "Save Me" to see that they were already working with non-Korean songwriters and producers. Also, a lot of the big songs in BTS' repertoire (such as "IDOL", "Euphoria", "Black Swan", "Boy With Luv", and "Mikrokosmos") have multiple Western folks credited too. IJS


Complaint no. 3: It doesn't sound like the "old BTS"

This specific complaint is over something that doesn't exist. Because BTS has never had a specific sound. Pre-2015, their songs were more hip-hop heavy. 2016-2019 had more abt EDM beats. Their 2020 music onward has had a blend of the two and then some.

At the same time, the "old sound" criticism has had a lot of pushback from some fans saying that ARIRANG (especially the first half) reminds them of BTS' 2014 album Dark & Wild.

So, again, this is one of those "ppl complaining cuz they've got nothing else to complain abt" type of things.


Complaint no.4: There's NO message

This is ridiculous. Also an indication of a reading comprehension fail. Head on over to Doolset's amazing translations and then try to say the songs are vapid. PFFFFT!


Complaint no.5: There's TOO MUCH Autotune

?????? Yes, there's Autotune--which is a tool that talented ppl like BTS have used in amazing ways. They're not the only ones as seen in BIBI's "Kazino" or anything by T-Pain. When it comes to BTS, Yoongi does like using AutoTune the most, but it's not a crutch. Rather than it being weird, its addition to the songs enhances the music.

AutoTune has gotten a bad rep because many 'singers' have relied on it as a way to hide their lack of talent. It does serve a purpose, though, whether ppl want to accept that or not


Outside of all of that nonsense, I think many of the ppl who have been v. negative toward this album fall into one of these categories:

A. Those who wanted this to sound exactly like every other Kpop bg album. And I get that cuz we do like familiarity. It's also the reason why some groups are known for having a specific sound. And, again, BTS is not in that category (please note that this isn't me putting down other groups while elevating the Tannies. It's simply an observation.) Even if you were to go from album to album, it's v. hard to pinpoint what makes an album a BTS album since they, again, don't have a signature sound AND they also dabble in a lot of genres.

B. Ppl who expected a return to a heavier EDM sound because that seems to be the "sound du jour" among a lot of Kpop releases. Kinda like how Jersey Club was EVERYWHERE 4 yrs ago.*Hands*

C. Some ppl didn't listen to any of the Chapter 2 (solo era) works. There's a lot of their individual albums being represented here.

Interestingly, a lot of the (initially) lukewarm opinions some had abt ARIRANG changed once they saw the Tannies perform the songs LIVE either on the Netflix comeback special (which is still available to watch) OR any of the concerts livestreams.

This is something that happened to me a few years ago with "Permission to Dance". I don't care much for that song. BUT, when BTS did the PTD Onstage in Los Angeles, Seoul, and Las Vegas, they closed out their concerts with PTD and that's when I got it! The trick to that song was experiencing it live. FWIW, I still pretty much whatevs abt it, but there we are.

So, if you don't like any of the songs, maybe check out the Netflix comeback and your opinion might change. Maybe it won't. IDK, you do you. XD

NGL, even after many listens, I'm still in awe with BTS and what they've done with this album. Realistically, they could've dropped anything and it'd have still been well-loved by ARMYs. Instead, they chose to not do the typical/expected "reunion album". They switched lanes into mostly new soundscapes at the same time they reinforced the idea of the OT7. Which brings me to the FACT that this is group album. There are no subunits or solos anywhere. EVERY. SINGLE. MEMBER. GETS. HIS. MOMENT. IN. EVERY. SINGLE. SONG!

And this goes down to the infamous ~line distribution angle. All 7 members have abt the same amount of time in ARIRANG. And that's a hella impressive thing to do when you've got SEVEN different ppl and 15 songs to do. [NB: Even better is how BTS has incorporated the group idea into their performances. Their current tour has NO solo or unit songs and it all makes me feel v. shiny-eyed. UwU.]

This is an album that invites the listener to ride the groove as it switches from rap to r&b to rock to easy pop. IMO, it's one of the most accessible in the Tannies' album discography. The songs feel v.much of the here and now instead of falling into a nostalgia trap. Give it a spin and you might end up digging it too. :D!
runpunkrun: Dana Scully reading Jose Chung's 'From Outer Space' in the style of a poster you'd find in your school library, text: Read. (reading)
[personal profile] runpunkrun
The lyrics to 365 songs written by John "The Mountain Goats" Darnielle, including some that are unreleased, accompanied by musings on their poetics, musicality, and personal meaning. Darnielle is a thoughtful, funny, devout man who has lived a lot of different lives, and while he resists making this a memoir, it is, though you just as often see him decline to explain the personal significance of a song. I respect his honesty, and his self-reflection, and even his coyness. If he were a character in a book, I'd say he had interiority, which isn't something you can say about everyone who's written a memoir.

I really enjoyed this, even as it's basically just really, really thick liner notes. The book gave me a new appreciation for my favorite songs and even introduced me to some new ones. I bought "Horseradish Road" after reading the lyrics and listening to it on YouTube; I learned he had an album that came out in 2022 that I'd never heard of—probably because we had some other stuff going on at the time—and which I will be buying soon, and in the four months it took me to read this, I've been listening to the albums I already knew I enjoyed (Transcendental Youth, All Eternals Deck, We Shall All Be Healed) and those I never quite clicked with (Beat the Champ, Get Lonely). I did not listen to Goths, Jenny From Thebes, Dark in Here, Getting Into Knives, In League With Dragons, All Hail West Texas, or Ghana, but there's still time. And I don't need an excuse to listen to Tallahassee, The Sunset Tree, The Life of the World to Come, or Heretic Pride, as they are my absolute favorites and I'm listening to them all the time anyway. Also do not sleep on the Babylon Springs EP. (Though this book does.)

If you're a The Mountain Goats fan, or a fan of Darnielle's social media presence, and/or a poet, songwriter, or storyteller, there's plenty to think about here. Darnielle shares what he finds interesting as an artist, the phases and trends he's gone through in his career, and the echoes he finds in his work. He recommends reading one entry a day, thus the format, but I had to read several a day because this was a library book, and huge, but it definitely benefits from being read in small bites, like poetry, so you can sit with it a while.

Contains (in part): references to child abuse, drug use, addiction, overdose, suicide. The ebook duplicates the print book's index, but does not bother to link any of the song titles to their entries, which is bullshit.

Status Updates from Goodreads )
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